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Put Your Money Where Your Mouth Is

by Bet Smith

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1.
Bakesale Angel, BBQ Queen Well, who needs a woman that good in the kitchen? That girl was just a heart attack waiting to happen Fresh corn bread, maple-baked beans You won’t miss that county BBQ Queen Well you don’t want a girl up first in the morning Clankin’ in the kitchen when you ought to be snoring Pancake batter over everything and Crash, bang, boom, rattle, ding-dong, ping Apple pie, food galore, I can’t take this anymore When’s that woman gonna get a life? Step back Betty, put down that knife Well you don’t want a girl with a penchant for bakin’ Isn’t she sick of the die-hard tradition? Woman’s place is no longer the kitchen Hasn’t she heard of Kentucky Fried Chicken? Apple pie, food galore, I can’t take this anymore When’s that woman gonna get a life? Step back Betty, put down that knife Well, you don’t want a girl with a greased-up frying pan She’s gonna make you a stuffed and sorry man It’s good to get out while you can Oh bake-sale angel, why you puttin’ me through Hell? How do you make such a damned good meal? The way it looks and tastes and smells? I can’t even do a box of mac n’ cheese without burnin’ it black If you show up with a plate of cookies, I’m afraid you’re gonna steal the man back Apple pie, help me lord, I can’t take this anymore When’s that woman gonna get a life? Step back Betty, put down that knife Well, who needs a woman that good in the kitchen? That girl was just a heart-attack waiting to happen Fresh corn bread, maple-baked beans You won’t miss that county BBQ Queen
2.
Get In Line 04:33
I’ve got a week’s hard work sinkin’ into my bones But here in this valley no one suffers alone We’re all flat broke just like we’ve always been Ah, but we’ve got big hearts a-beatin’ so broke doesn’t make us mean Well you walk right up to the bar, stranger and then you sit And order something so goddamned expensive, bar tender’s never heard of it Then you start talkin’ to me, ‘bout all the nice things you’ve got Well you’re making the wrong moves, mister; a good woman can’t be bought Put Your Money Where Your Mouth Is And buy this bar another round This place is packed full of hard-working people This ain’t Hollywood, it’s a small farm town And we don’t need no limousines to have our bad selves a real good time Well if you want to dance with one of us girls, you’d better get in line From the top of that brand-new Stetson hat To the tips of those genuine cowboy boots You look like the kind of man Who’s never known the blues This town has seen hard times and battles lost But there’s nothing like our fruit pies, sugar snaps or applesauce Put Your Money Where Your Mouth Is And buy this bar another round This place is packed full of hard-working people This ain’t Hollywood, it’s a small farm town And we don’t need no caviar to have our bad selves a real good time Well if you want to dance with one of us girls, you’d better get in line Well you won’t impress anyone around here, if you don’t know how to hoe a roe Or drive that old John Deere or dig a three-foot hole If you think those nice clothes will get you anywhere You’d better make your way back to the city and chew off someone else’s ear Put Your Money Where Your Mouth Is And buy this bar another round This place is packed full of hard-working people This ain’t Hollywood, it’s a small farm town And we don’t need no Champaign to have our bad selves a real good time Well if you want to dance with one of us girls, you’d better get in line
3.
Train 03:36
4.
5.
6.
7.
Sinful Love 03:07
8.
The devil on my shoulder says that I should get it over… But I don’t want to let you down The devil on my shoulder, well he sure is a talker He’s got lots of bad ideas that we’ve been tossing around The angel on my right, well she’s gone for the night But I want so much to be true Well I’m an easy sell, but I don’t want to go to hell And I’ve been trying with all my might to be good to you Chorus Well I may be a simple man My eyes may look where they should not But I’m gonna try the best I can Not to let that devil win, never to [mess] up again, oooh Well the girl at the bar, she’s this town’s little star And she’s been checking me over all night And I can’t help but stare at that long red hair Flowing down to the top of her thighs Mac over at Rudy’s says she says she wants to do me And I’m thinking that may not have been a lie She’s really cute, she’s got long legs to boot, And before the night’s over I think I’m gonna die Chorus Well I may be a simple man My eyes may look where they should not But I’m gonna try the best I can Not to let that devil win, never to mess up again, oooh Bridge: Gotta get out of here, gonna leave my beer and go Cause I’ve been a no-good cheater, but I love my woman so Repeat V1 and Chorus.
9.
Twice 03:47
10.

about

Bet Smith, with help from her amazing bandmates, Rob and Andrew Currie, and many talented friends, presents her first full-length alt-country release, "Put Your Money Where Your Mouth Is."

The ten-song LP is an album inspired by the hard-working and under-appreciated folks who make the world go ‘round. Primarily written in farmers’ fields, construction sites and the back roads of rural Canada, this album reflects on Bet’s blue-collar years, labouring on small farms in British Columbia and welding on muddy hillsides in the Ontario bush.
Conversations had, overheard and imagined over long days in field and brush sparked new songs that were realized in full at Bet’s first opportunity to pick up a guitar at the end of a workday.

Whereas Bet’s 2015 folk EP, Loose Ends, was dark and cautionary, Put Your Money Where Your Mouth Is relies on traditional country themes mixed with tongue-in-cheek humor to achieve a new level of accessibility with songs written about love, broken hearts, working hard, being poor just the same, and lessons learned on a bar stool: ten songs she hopes will speak to the backbone of rural North America, and lovers of Alt-Country and Americana.

The LP’s first single, Bakesale Angel, BBQ Queen is a comical song about good-old-fashioned kitchen rivalry: competition that erupts between a jealous girlfriend and her beau’s ex. The tune was imagined up while Bet shovelled manure on a good friend’s farm – the friend being an enviably excellent cook.
The recording features Miranda Mulholland of The Great Lake Swimmers on fiddle and Aaron Goldstein of Daniel Romano and the Trilliums on pedal steel. Bet’s hometown allies, The Currie Brothers hold it all together with Andrew Currie on drums and brother Rob on bass and percussive electric guitar. As a final touch, Bet talked the boys into a pots-and-pans percussion track to compliment the theme of the song. The second tune – Get In Line – from which comes the album’s title, “put your money where your mouth is,” was thought up while Bet did menial chores on a cattle farm and allowed her mind to wander to a bar interaction between a farm girl and a fake cowboy.

credits

released July 12, 2016

Produced by Rob Currie in Gravenhurst, Ontario
All songs written by Bet Smith

Musicians:
BET SMITH: Vocals, Acoustic Guitar,
Hammond Organ, Pot
ANDREW CURRIE: Drums, Percussion,
Banjo, Mandolin, Pots and Pans
ROB CURRIE: Bass, Electric Guitar, Backup Vocals
MIRANDA MULHOLLAND: Fiddle
AARON GOLDSTEIN: Pedal Steel
STEPHEN McCLELLAN: Cello
CODY THOMPSON: Duet Vocals
BLAIR SMITH: Backup vocals
LIA LIDSTONE: Clapping, and Stomping
LUKE THOMPSON: Clapping and Stomping

Mastered by STEPHEN STEPANIC at
Joao Carvalho Mastering in Toronto, Ontario

Copyright 2016, Bet Smith. SOCAN/ASCAP

Songs on this album were written in both Ontario and British Columbia, usually outdoors and often while working the land in gardens and on farms and homesteads of family and friends.

Thank you so much to all of the brilliant people involved in the making of this album, and the wonderful folks who have shown me so much support in the past year. I am so grateful to you.
Thank you to the Currie Brothers. Where would I be without you?

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Bet Smith Gravenhurst, Ontario

Bet Smith is a Canadian alternative folk singer-songwriter who weaves environmental and socio-political philosophy into rich, reflective compositions. With a voice that is gentle and familiar, Smith offers elegant melodies locked to lyrics that are paced and precise. ... more

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